{"id":424,"date":"2015-03-10T03:03:43","date_gmt":"2015-03-10T03:03:43","guid":{"rendered":"https:\/\/forumcpc.com\/?page_id=424"},"modified":"2026-03-16T04:32:04","modified_gmt":"2026-03-16T04:32:04","slug":"424-2","status":"publish","type":"page","link":"https:\/\/forumcpc.com\/?page_id=424","title":{"rendered":"Current Issue"},"content":{"rendered":"\n

For the most current issue, please check out https:\/\/read.dukeupress.edu\/jclc\/<\/a> and https:\/\/muse.jhu.edu\/journal\/659<\/a>. <\/p>\n\n\n\n

Volume 12\u00a0\u2022\u00a0Issue\u00a02 \u2022 November 2025<\/strong><\/p>\n\n\n\n

Editors: <\/strong>YUAN XINGPEI and ZONG-QI CAI<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

Good Things Come in Pairs: A Computational Study of Poetic Parallelism in the Six Dynasties.<\/p>\n\n\n\n

ZONG-QI CAI, MACIEJ KURZYNSKI, and XIAOTONG XU<\/p>\n\n\n\n

Beheaded Meanings and Anonymous Signifiers: Forms of Truth and Conditions for Its Emergence in Late Ming Court Case Fiction.<\/p>\n\n\n\n

JINSU KIM<\/p>\n\n\n\n

De-eroticizing the Inner Chamber: Zhou Qi\u2019s Ekphrastic Colophon in Lady at Dressing Table<\/em> by Wang Qiao.<\/p>\n\n\n\n

LEIHUA WENG<\/p>\n\n\n\n

Reconstructing Confucian Masculinity: Chen Tingzhuo\u2019s Poetic Ideal of \u201cDepth and Circuitousness.\u201d<\/p>\n\n\n\n

FAN WU<\/p>\n\n\n\n

The\u00a0Biji xiaoshuo<\/em>\u00a0\u7b46\u8a18\u5c0f\u8aaa Tradition and News Media: The Dianshizhai Pictorial<\/em> \u9ede\u77f3\u9f4b\u756b\u5831 as a Case Study.<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

Book Reviews<\/strong><\/em><\/p>\n\n\n\n

Albert Galvany, ed. The Craft of Oblivion: Forgetting and Memory in Ancient China<\/em>. SUNY Series in Chinese Philosophy and Culture. Albany: SUNY Press, 2023.<\/p>\n\n\n\n

PAUL R. GOLDIN<\/p>\n\n\n\n

Yamamoto Yoshitaka \u5c71\u672c\u5609\u5b5d. Shibun to keisei: Bakufu jushin no j\u016bhasseiki<\/em> \u8a69\u6587\u3068\u7d4c\u4e16\uff1a\u5e55\u5e9c\u5112\u81e3\u306e\u5341\u516b\u4e16\u7d00 (Poetry, Prose, and Governance: The Eighteenth Century of Confucian Officials of the Shogunate). Nagoya: Nagoya University Press, 2021.<\/p>\n\n\n\n

Ibi Takashi \u63d6\u6590\u9ad8. Edo Kanshi no j\u014dkei: F\u016bga to nichij\u014d<\/em> \u6c5f\u6238\u6f22\u8a69\u306e\u60c5\u666f\uff1a\u98a8\u96c5\u3068\u65e5\u5e38 (The Emotions and Landscape of Edo Kanshi: Elegance and the Everyday). Tokyo: Iwanami Shinsho no. 1940, 2022.<\/p>\n\n\n\n

Sugishita Motoaki \u6749\u4e0b\u5143\u660e. Hikaku bungaku to shite no Edo Kanshi<\/em> \u6bd4\u8f03\u6587\u5b66\u3068\u3057\u3066\u306e\u6c5f\u6238\u6f22\u8a69 (Edo Kanshi as Comparative Literature). Tokyo: Ky\u016bko shoin, 2023.<\/p>\n\n\n\n

Jonathan Chaves and Matthew Fraleigh. The Same Moon Shines on All: The Livesand Selected Poems of Yanagawa Seigan and K\u014dran.<\/em> New York: Columbia University Press, 2024.<\/p>\n\n\n\n

STEPHEN RODDY<\/p>\n\n\n\n

Keith McMahon. Saying All That Can Be Said: The Art of Describing Sex in Jin Ping Mei.<\/em> Cambridge, MA: Harvard University Press, 2023.<\/p>\n\n\n\n

Jiwei Xiao. Telling Details: Chinese Fiction, World Literature.<\/em> New York: Routledge, 2022.<\/p>\n\n\n\n

MARY SCOTT<\/p>\n\n\n\n

Patricia Sieber and Regina Llamas, eds. How to Read Chinese Drama: A Guided Anthology.<\/em> New York: Columbia University Press, 2022.<\/p>\n\n\n\n

Wilt L. Idema, Wai-Yee Li, and Stephen H.West, eds. A Topsy-Turvy World: Short Plays and Farces from the Ming and Qing Dynasties.<\/em> New York: Columbia University Press, 2023<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

Titles in Chinese Literature from Academic Monthly<\/em> \u5b78\u8853\u6708\u520a.<\/p>\n","protected":false},"excerpt":{"rendered":"

For the most current issue, please check out https:\/\/read.dukeupress.edu\/jclc\/ and https:\/\/muse.jhu.edu\/journal\/659. Volume 12\u00a0\u2022\u00a0Issue\u00a02 \u2022 November 2025 Editors: YUAN XINGPEI and ZONG-QI CAI Table of Contents Good Things Come in Pairs: A Computational Study of Poetic Parallelism in the Six Dynasties. ZONG-QI CAI, MACIEJ KURZYNSKI, and XIAOTONG XU Beheaded Meanings and Anonymous Signifiers: Forms of Truth and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"\n

For the most current issue, please check out https:\/\/read.dukeupress.edu\/jclc\/<\/a> and https:\/\/muse.jhu.edu\/journal\/659<\/a>. <\/p>\n\n\n\n

<\/p>\n\n\n\n

Volume 8\u00a0 \u2022\u00a0 Issue\u00a02 \u2022 \u00a0<\/strong>November<\/strong> 2021<\/p>\n\n\n\n


<\/strong>YUAN XINGPEI and ZONG-QI CAI<\/strong>, Editors<\/p>\n\n\n\n

<\/p>\n\n\n\n

Cumulative Structure in Zhuangzi\u2019s \u201cThe Great and Venerable Teacher\u201d<\/p>\n\n\n\n

XINDA LIAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Divided Liang Dynasty Literary World Seen Through the Liu-Dao Dispute<\/p>\n\n\n\n

WANG XIAOMENG and\u00a0JING CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Guo Xi on Painting the Invisible Gaze of Dao<\/p>\n\n\n\n

DAVID CHAI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Plays Within Songs: Sanqu<\/em> Songs from Literary Refinement (ya<\/em>) to Popular Appeal (su<\/em>)<\/p>\n\n\n\n

WANG SHIH-PE<\/p>\n\n\n\n

ERXIN WANG, Translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Riddles in Jin Ping Mei Cihua<\/em><\/p>\n\n\n\n

THOMAS KELLY<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Textual Architecture of Empire in Two Early Qing Anthologies<\/p>\n\n\n\n

JESSICA DVORAK MOYER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Marginalia Transcription and Scholarly Culture in the Qing Dynasty<\/p>\n\n\n\n

WEI YINZONG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book Reviews<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n

N. Harry Rothschild and Leslie V. Wallace, eds. Behaving Badly in Early and Medieval China.<\/em> HI: University of Hawai\u2019i Press, 2017.<\/p>\n\n\n\n

ROBERT ASHMORE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Klaus M\u00fchlhahn. Making China Modern: From The Great Qing to Xi Jinping<\/em>. Cambridge, MA: Harvard University Press, 2019.<\/p>\n\n\n\n

MINGHUI HU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Li Yu. A Couple of Soles<\/em>: A Comic Play from Seventeenth-Century China<\/em>. Translated by Jing Shen and Robert E. Hegel. New York: Columbia University Press, 2019.<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Wendy Swartz. Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China<\/em>. Cambridge, MA: Harvard University Asia Center, 2018.<\/p>\n\n\n\n

YUE ZHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Xiaofei Tian. The Halberd at Red Cliff: Jian\u2019an and the Three Kingdoms<\/em>. Cambridge, MA: Harvard University Asia Center, 2018.<\/p>\n\n\n\n

YUE ZHANG<\/p>\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-424","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forumcpc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=424"}],"version-history":[{"count":82,"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages\/424\/revisions"}],"predecessor-version":[{"id":3477,"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages\/424\/revisions\/3477"}],"wp:attachment":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}