{"id":623,"date":"2015-04-03T01:28:04","date_gmt":"2015-04-03T01:28:04","guid":{"rendered":"https:\/\/forumcpc.com\/?page_id=623"},"modified":"2025-02-28T03:03:35","modified_gmt":"2025-02-28T03:03:35","slug":"books-published-by-fcpc-members","status":"publish","type":"page","link":"https:\/\/forumcpc.com\/?page_id=623","title":{"rendered":"Books Published by FCPC Members"},"content":{"rendered":"<p>We encourage FCPC members to list their books here with hyperlinks to websites like Google Books and Amazon.com.<\/p>\n<ul>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'> A New Translation of the Sayings of Master Zhuang as Interpreted by Guo Xiang, by Richard John Lynn (Translator)<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>The <em><span class=\"a-text-italic\">Zhuangzi\u00a0<\/span><\/em>(Sayings of Master Zhuang) is one of the foundational texts of the Chinese philosophical tradition and the cornerstone of Daoist thought. The earliest and most influential commentary on the\u00a0<em><span class=\"a-text-italic\">Zhuangzi\u00a0<\/span><\/em>is that of Guo Xiang (265\u2013312), who also edited the text into the thirty-three-chapter version known ever since. Guo\u2019s commentary enriches readings of the\u00a0<em><span class=\"a-text-italic\">Zhuangzi<\/span><\/em>, offering keen insights into the meaning and significance of its pithy but often ambiguous aphorisms, narratives, and parables. Richard John Lynn\u2019s new translation of the <span class=\"a-text-italic\">Zhuangzi\u00a0<\/span>is the first to follow Guo\u2019s commentary in its interpretive choices. Unlike any previous translation into any language, its guiding principle is how Guo read the text; Lynn renders the\u00a0<span class=\"a-text-italic\"><em>Zhuangzi<\/em>\u00a0<\/span>in terms of Guo\u2019s understanding. This approach allows for the full integration of the text of the\u00a0<span class=\"a-text-italic\"><em>Zhuangzi<\/em>\u00a0<\/span>with Guo\u2019s commentary. The book also features a translation of Guo\u2019s complete interlinear commentary and is annotated throughout. A critical introduction includes a detailed account of Guo\u2019s life and times as well as analysis of his essential contributions to the arcane learning (<em><span class=\"a-text-italic\">xuanxue<\/span><\/em>) of the fourth century and the development of Chinese philosophy. Lynn sheds new light on how the Daoist classic, which has often been seen as a timeless book of wisdom, is situated in its historical context, while also considering it as a guide to personal cultivation and self-realization.\u00a0For details, please visit <a href=\"https:\/\/www.amazon.com\/Zhuangzi-Translation-Interpreted-Translations-Classics\/dp\/0231123876\">here (Amazon link)<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'> How to Read Chinese Poetry in Context edited by Zong-qi Cai<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'><em>How to Read Chinese Poetry in Context<\/em> is an introduction to the golden age of Chinese poetry, spanning the earliest times through the Tang dynasty (618-907). It aims to break down barriers\u2014between language and culture, poetry and history\u2014that have stood in the way of teaching and learning Chinese poetry. Presenting poems in Chinese along with English translations and commentary, this book unites teaching poetry with the social circumstances surrounding its creation, making it a pioneering and versatile text for the study of Chinese language, literature, history, and culture. For details, please visit <a href=\"https:\/\/www.amazon.com\/How-Read-Chinese-Poetry-Context\/dp\/0231185375\/\">here (Amazon link)<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'> Mapping Modern Beijing by Weijie Song<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'><em>Mapping Modern Beijing<\/em> investigates five methods of representing Beijing\u2013a warped hometown, a city of snapshots and manners, an aesthetic city, an imperial capital in comparative and cross-cultural perspective, and a displaced city on the Sinophone and diasporic postmemory\u2013by authors traveling across mainland China, Taiwan, Hong Kong, and overseas Sinophone and non-Chinese communities. For details, please visit <a href=\"https:\/\/www.amazon.com\/Mapping-Modern-Beijing-Literary-Topography\/dp\/0190200677\">here (Amazon link)<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'> Cave of the Immortals by Jonathan Chaves<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>WEN TONG (1019-1079) is considered the supreme master of bamboo painting in the history of Chinese art. According to his friend and admirer, Su Shi (Dongpo), the greatest poet of the Song Dynasty (960-1279), \u201cWhen Wen Tong painted bamboo, he himself became bamboo!\u201d Wen was a poet as well, and perhaps because of his fame as a painter, his poetry has remained virtually unknown for centuries. This book is the first in any Western language to present translations of selected poems by Wen, over three hundred of them, as well as examples of his prose writings, which are also fascinating. A particular revelation is Wen\u2019s unusual degree of interest in what might be called the Folk Religion of China, for example, ceremonies of supplication to various gods, especially Dragon deities, to send rain in time of drought. Wen\u2019s poems and prose pieces also bring to light aspects of Buddhism, Daoism, and Confucianism that are of great importance in Chinese civilization, but rarely addressed in the literature of the Chinese poets as they involve devotional practices held in suspicion by many of the literati, but seen by Wen Tong in a positive light. For details, please visit <a href=\"https:\/\/www.amazon.com\/Cave-Immortals-Poetry-Painter-1019-1079\/dp\/1891640909\">here (Amazon link)<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>\u300a\u6c49\u9b4f\u664b\u4e94\u8a00\u8bd7\u7684\u6f14\u53d8\u2014\u2014\u56db\u79cd\u8bd7\u6b4c\u6a21\u5f0f\u4e0e\u81ea\u6211\u5448\u73b0\u300bby Zong-qi Cai (Chinese Language)<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>\u300a\u6c49\u9b4f\u664b\u4e94\u8a00\u8bd7\u7684\u6f14\u53d8\u2014\u2014\u56db\u79cd\u8bd7\u6b4c\u6a21\u5f0f\u4e0e\u81ea\u6211\u5448\u73b0\u300b(\u8521\u5b97\u9f50 \u00a0\u8457\uff0c\u9648\u5a67 \u8bd1) \u662fThe Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry (Center for Chinese Studies, The University of Michigan, Ann Arbor, 1997) \u7684\u4e2d\u8bd1\u672c\uff0c\u6536\u5165\u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e\u4e2d\u56fd\u53e4\u4ee3\u6587\u4f53\u5b66\u7814\u7a76\u4e1b\u4e66\u7b2c\u56db\u8f91\u3002\u672c\u4e66\u4ece\u4f5c\u54c1\u7ec6\u8bfb\u4e2d\u5f52\u7eb3\u51fa\u4e2d\u56fd\u65e9\u671f\u4e94\u8a00\u8bd7\u7684\u56db\u79cd\u6a21\u5f0f\uff0c\u5373\u620f\u5267\u3001\u53d9\u8ff0\u3001\u6292\u60c5\u3001\u8c61\u5f81\u6a21\u5f0f\uff0c\u9610\u8ff0\u5b83\u4eec\u7684\u4e3b\u9898\u3001\u5f62\u5f0f\u548c\u6587\u7c7b\u7279\u5f81\u53ca\u5185\u5728\u8054\u7cfb\uff0c\u52fe\u52d2\u5b83\u4eec\u7684\u6f14\u53d8\u8fdb\u7a0b\uff0c\u8ba4\u4e3a\u8bd7\u4eba\u81ea\u6211\u5448\u73b0\u7684\u63a8\u529b\u4e0e\u73b0\u5b58\u8bd7\u6b4c\u6a21\u5f0f\u5c40\u9650\u4e4b\u95f4\u7684\u5f20\u529b\u4e4b\u95f4\u7684\u6301\u7eed\u4e92\u52a8\uff0c\u662f\u65e9\u671f\u4e94\u8a00\u8bd7\u53ca\u81f3\u4ee5\u540e\u6240\u6709\u6292\u60c5\u8bd7\u6b4c\u6f14\u53d8\u7684\u5185\u5728\u673a\u5236\u3002\u5168\u4e66\u7eb2\u76ee\u5f20\u4e3e\uff0c\u5728\u4e0d\u540c\u5c42\u6b21\u4e0a\u5c55\u73b0\u4e86\u4e94\u8a00\u8bd7\u8bd7\u4f53\u5386\u53f2\u6f14\u53d8\u7684\u52a8\u6001\u3002For details, please visit <a href=\"http:\/\/item.jd.com\/11722945.html\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>\u00a0or <a href=\"http:\/\/www.amazon.cn\/%E6%B1%89%E9%AD%8F%E6%99%8B%E4%BA%94%E8%A8%80%E8%AF%97%E7%9A%84%E6%BC%94%E5%8F%98-%E5%9B%9B%E7%A7%8D%E8%AF%97%E6%AD%8C%E6%A8%A1%E5%BC%8F%E4%B8%8E%E8%87%AA%E6%88%91%E5%91%88%E7%8E%B0-%E8%94%A1%E5%AE%97%E9%BD%90\/dp\/B010N4IDWY\/ref=sr_1_1?ie=UTF8&amp;qid=1437061810&amp;sr=8-1&amp;keywords=%E6%BC%A2%E9%AD%8F%E6%99%89%E4%BA%94%E8%A8%80%E8%A9%A9%E7%9A%84%E6%BC%94%E8%AE%8A\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>Politics, Poetics, and Gender in Late Qing China by Nanxiu Qian<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>In 1898, Qing dynasty emperor Guangxu ordered a series of reforms to correct the political, economic, cultural, and educational weaknesses exposed by China&#8217;s defeat by Japan in the First Sino-Japanese War. The &#8220;Hundred Day&#8217;s Reform&#8221; has received a great deal of attention from historians who have focused on the well-known male historical actors, but until now the Qing women reformers have received almost no consideration. In this book, historian Nanxiu Qian reveals the contributions of the active, optimistic, and self-sufficient women reformers of the late Qing Dynasty. Qian examines the late Qing reforms from the perspective of Xue Shaohui, a leading woman writer who openly argued against male reformers&#8217; approach that subordinated women&#8217;s issues to larger national concerns, instead prioritizing women&#8217;s self-improvement over national empowerment. Drawing upon intellectual and spiritual resources from the freewheeling, <i>xianyuan<\/i> (worthy ladies) model of the Wei-Jin period of Chinese history (220\u2013420) and the culture of women writers of late imperial China, and open to Western ideas and knowledge, Xue and the reform-minded members of her social and intellectual networks went beyond the inherited Confucian pattern in their quest for an ideal womanhood and an ideal social order. Demanding equal political and educational rights with men, women reformers challenged leading male reformers&#8217; purpose of achieving national &#8220;wealth and power,&#8221; intending instead to unite women of all nations in an effort to create a just and harmonious new world. For details, please visit <a href=\"http:\/\/www.amazon.com\/Politics-Poetics-Gender-Late-China\/dp\/0804792402\">here (Amazon link)<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>Literati Storytelling in Late Medieval China by Manling Luo<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>Scholar-officials of late medieval China were not only enthusiastic in amateur storytelling, \u00a0but also showed unprecedented interest in recording stories on different aspects of literati \u00a0 life. These stories appeared in diverse forms, including narrative poems, &#8220;tales of the \u00a0marvelous,&#8221; &#8220;records of the strange,&#8221; historical miscellanies, and transformation texts. Through storytelling, literati explored their own changing place in a society that was making its final transition from hereditary aristocracy to a meritocracy ostensibly open to all.<em> Literati Storytelling\u00a0in Late Medieval China<\/em> shows how these writings offer crucial insights into the reconfiguration of the Chinese elite, which monopolized literacy, social prestige, and political participation in imperial China. For details, please visit <a href=\"http:\/\/www.amazon.com\/Literati-Storytelling-Medieval-Language-Initiative\/dp\/0295994142\">here (Amazon link)<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>The Lyrical in Epic Time by David Der-wei Wang<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>In\u00a0<em>The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis<\/em>, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China\u2019s social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. For details, please visit the book&#8217;s <a href=\"http:\/\/cup.columbia.edu\/book\/the-lyrical-in-epic-time\/9780231170468\">Columbia University Press site<\/a>\u00a0and <a href=\"http:\/\/www.amazon.com\/The-Lyrical-Epic-Time-Intellectuals\/dp\/0231170467\">Amazon site<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>\u300a\u5f15\u8b6c\u9023\u985e\uff1a\u6587\u5b78\u7814\u7a76\u7684\u95dc\u9375\u8a5e\u300bby CHENG Yu-yu \u912d\u6bd3\u745c (Chinese Language)<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>\u672c\u66f8\u4ee5\u4e0a\u53e4\u4ee5\u4f86\u6975\u70ba\u91cd\u8981\u7684\u300c\u5f15\u8b6c\u9023\u985e\u300d\u9019\u500b\u6982\u5ff5\u70ba\u6838\u5fc3\uff0c\u900f\u904e\u8a69\u7d93\u3001\u695a\u8fad\u3001\u6f22\u8ce6\u4e43\u81f3\u65bc\u665a\u6e05\u4ecd\u5275\u4f5c\u4e0d\u65b7\u7684\u820a\u9ad4\u8a69\uff0c \u9ad4\u73fe\u4e00\u500b\u300c\u6587\u2500\u985e\u2500\u7269\u2500\u8a5e\u300d\u76f8\u4e92\u806f\u7e6b\u7684\u8b6c\u55bb\u6846\u67b6\uff0c\u800c\u5728\u73fe\u4ee3\u8a9e\u5883\u4e0b\uff0c\u91cd\u65b0\u6d3b\u5316\u8207\u8a6e\u91cb\u9019\u500b\u5728\u5929\u4eba\u3001\u8eab\u5fc3\u8207\u8a00\u7269\u4e4b\u9593\u4e0d\u65b7\u8d8a\u754c\u8207\u5f15\u751f\u7684\u4eba\u6587\u50b3\u7d71\u3002 \u300a\u5f15\u8b6c\u9023\u985e\uff1a\u6587\u5b78\u7814\u7a76\u7684\u95dc\u9375\u8a5e\u300b\u4ee5\u300c\u6587\u300d\u300c\u660e\u300d\u767c\u7aef\uff0c\u70ba\u300c\u8b6c\u985e\u300d\u4e16\u754c\u8ffd\u6eaf\u5176\u5efa\u69cb\u7684\u6700\u6839\u6e90\uff1b\u7e7c\u800c\u8a73\u7d30\u8ad6\u8ff0\u4e2d\u570b\u4e0a\u53e4\u66f8\u5beb\u4e2d\u5305\u542b\u8eab\uff0f\u5fc3\u3001\u8a00\uff08\u6587\uff09\uff0f\u7269\u7684\u8de8\u985e\u9023 \u7e6b\uff0c\u4ee5\u53ca\u8a00\u8a5e\u3001\u53e5\u5f0f\u8207\u6bb5\u843d\u7d44\u584a\u7684\u91cd\u8907\u5716\u793a\u5f0f\uff0c\u4ee5\u8aaa\u660e\u5169\u500b\u751a\u6216\u591a\u5143\u985e\u57df\u9593\uff0c\u5982\u4f55\u8de8\u8d8a\u6216\u76f8\u4e92\u8cab\u901a\u7684\u8e64\u8de1\uff1b\u518d\u8005\uff0c\u900f\u904e\u300c\u66ff\u4ee3\u300d\u8207\u300c\u985e\u63a8\u300d\uff0c\u4f86\u5448\u73fe\u4e0a\u53e4\u6587\u5b78\u50b3\u7d71\u5982 \u4f55\u5728\u300c\u6bd4\u8208\u5c0d\u61c9\u300d\u4ee5\u53ca\u300c\u985e\u805a\u8f3b\u8f33\u300d\u4e0a\u4ea4\u4e92\u7de8\u7e54\uff0c\u5f9e\u800c\u88ab\u8a8d\u5b9a\u3001\u8a55\u8ff0\uff0c\u800c\u70ba\u5f8c\u4ee3\u6240\u8b02\u300c\u6587\u5b78\uff08\u53f2\uff09\u300d\u3001\u300c\u6587\u985e\u300d\u4ee5\u53ca\u300c\u6587\u5b78\u8a55\u8ad6\u300d\u7b49\u5efa\u69cb\u51fa\u95dc\u9375\u6027\u7684\u7b2c\u4e00\u6b65\uff1b\u6700\u5f8c\uff0c \u4ee5\u300c\u985e\u7269\uff08\u6216\u985e\u61c9\uff09\u300d\u9ad4\u7cfb\u4f5c\u70ba\u53e4\u5178\u8a69\u6587\u6700\u5177\u4ea4\u96c6\u6027\u800c\u5f97\u4ee5\u8d85\u8d8a\u6642\u9593\u7684\u300c\u7269\u300d\u80cc\u666f\uff0c\u4e26\u9078\u53d6\u665a\u6e05\u9ec3\u9075\u61b2\u7684\u300a\u65e5\u672c\u96dc\u4e8b\u8a69\u300b\u70ba\u4f8b\uff0c\u7531\u5176\u4e2d\u53cd\u8986\u727d\u5f15\u8207\u878d\u5408\u7684\u50b3\u7d71\u795e\u8a71\u3001 \u6708\u4ee4\u7269\u5019\u8207\u653f\u6cbb\u8c61\u5fb5\uff0c\u8aaa\u660e\u50b3\u7d71\u4e26\u4e0d\u5c08\u5c6c\u65bc\u300c\u53e4\u4ee3\u300d\uff0c\u800c\u5f80\u5f80\u5177\u6709\u5c0d\u61c9\u8655\u5883\u7684\u300c\u73fe\u4ee3\u300d\u610f\u7fa9\uff1b\u540c\u6642\uff0c\u6b63\u662f\u7531\u65bc\u5178\u6545\u6210\u8a5e\u6240\u5728\u7684\u8a8d\u77e5\u6216\u601d\u8003\u6846\u67b6\u4e5f\u9032\u884c\u4e86\u300c\u91cd\u8907\u300d\u4e4b\u5916 \u7684\u300c\u91cd\u8a2d\u300d\uff0c\u57fa\u65bc\u53e4\u5178\u985e\u61c9\u9ad4\u7cfb\u7684\u820a\u9ad4\u8a69\u56e0\u6b64\u7adf\u4e5f\u53ef\u4ee5\u88ab\u632a\u501f\u7ffb\u8f49\u800c\u70ba\u65b0\u4e16\u754c\u4ee3\u8a00\u3002 For details, please visit <a href=\"https:\/\/www.linkingbooks.com.tw\/lnb\/book\/Book.aspx?ID=184243\" target=\"new\" rel=\"noopener noreferrer\">here<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>\u300a\u4e2d\u56fd\u8bd7\u6b4c\u901a\u53f2\u300bEdited by Zhao Minli \u8d75\u654f\u4fd0 (Chinese Language)<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>\u7531\u9996\u90fd\u5e08\u8303\u5927\u5b66\u8d75\u654f\u4fd0\u6559\u6388\u4e3b\u6301\uff0c\u56fd\u518510\u4f59\u4f4d\u8457\u540d\u5b66\u8005\u53c2\u52a0\u7684\u56fd\u5bb6\u793e\u4f1a\u79d1\u5b66\u57fa\u91d1\u91cd\u70b9\u9879\u76ee\u201c\u4e2d\u56fd\u8bd7\u6b4c\u901a\u53f2\u201d\uff0c\u7ecf \u8fc7\u8fd18\u5e74\u7684\u7cbe\u5fc3\u7ed3\u64b0\uff0c2012\u5e746\u6708\u7531\u4eba\u6c11\u6587\u5b66\u51fa\u7248\u793e\u6b63\u5f0f\u51fa\u7248\u3002\u8be5\u6210\u679c\u5171\u8ba111\u5377\uff0c\u5206\u522b\u662f\u5148\u79e6\u5377\u3001\u6c49\u4ee3\u5377\u3001\u9b4f\u664b\u5357\u5317\u671d\u5377\u3001\u5510\u4e94\u4ee3\u5377\u3001\u5b8b\u4ee3\u5377\u3001\u8fbd\u91d1\u5143\u5377\u3001\u660e \u4ee3\u5377\u3001\u6e05\u4ee3\u5377\u3001\u73b0\u4ee3\u5377\u3001\u5f53\u4ee3\u5377\u548c\u5c11\u6570\u6c11\u65cf\u5377\uff0c\u6bcf\u537770\u4e07\u5b57\u5de6\u53f3\uff0c\u603b\u5b57\u6570\u7ea6800\u4e07\u3002\u5b83\u8d2f\u901a\u53e4\u4eca\uff0c\u5305\u5bb9\u6c49\u6c11\u65cf\u8bd7\u6b4c\u548c\u5404\u5c11\u6570\u6c11\u65cf\u8bd7\u6b4c\uff0c\u662f\u8fc4\u4eca\u4e3a\u6b62\u89c4\u6a21\u6700\u5927\u7684\u4e00 \u90e8\u540d\u526f\u5176\u5b9e\u7684\u201c\u4e2d\u56fd\u8bd7\u6b4c\u901a\u53f2\u201d\uff0c\u5b83\u7684\u7814\u7a76\u548c\u5b8c\u6210\uff0c\u5177\u6709\u91cd\u8981\u7684\u5b66\u672f\u610f\u4e49\u548c\u6587\u5316\u610f\u4e49\u3002For details, please visit <a href=\"http:\/\/www.guoxue.com\/?book=zgsgts\" target=\"new\" rel=\"noopener noreferrer\">here<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>\u300a\u5148\u79e6\u6c49\u9b4f\u516d\u671d\u8bd7\u6b4c\u4f53\u5f0f\u7814\u7a76\u300b by Ge Xiaoyin\u845b\u6653\u97f3 (Chinese Language)<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>\u5148\u79e6\u4e24\u6c49\u9b4f\u664b\u5357\u5317\u671d\u662f\u4e2d\u56fd\u53e4\u5178\u8bd7\u6b4c\u5404\u7c7b\u4f53\u5f0f\u53d1\u6e90\u548c\u6210\u719f\u7684\u65f6\u671f\u3002\u300a\u5148\u79e6\u6c49\u9b4f\u516d\u671d\u8bd7\u6b4c\u4f53\u5f0f\u7814\u7a76\u300b\u7531\u845b\u6653\u97f3\u6240\u8457\uff0c \u4ece\u8bed\u8a00\u3001\u8282\u594f\u3001\u7ed3\u6784\u3001\u8868\u73b0\u65b9\u5f0f\u7b49\u591a\u79cd\u89d2\u5ea6\uff0c\u6df1\u5165\u800c\u7cfb\u7edf\u5730\u63a2\u8ba8\u4e86\u4ece\u300a\u8bd7\u7ecf\u300b\u3001\u300a\u695a\u8f9e\u300b\u5230\u4e94\u8a00\u3001\u4e03\u8a00\u3001\u6742\u8a00\u7b49\u5404\u7c7b\u8bd7\u4f53\u4ea7\u751f\u548c\u53d1\u5c55\u7684\u539f\u7406\uff0c\u5404\u7c7b\u8bd7\u6b4c\u4f53\u5f0f\u4e4b\u95f4\u7684\u5173 \u7cfb\uff0c\u4ee5\u53ca\u4f53\u5f0f\u7684\u5f62\u6210\u4e0e\u5404\u7c7b\u8bd7\u578b\u7684\u827a\u672f\u8868\u73b0\u611f\u89c9\u548c\u521b\u4f5c\u4f20\u7edf\u4e4b\u95f4\u7684\u5173\u7cfb\u3002\u53ef\u4ee5\u8bf4\uff0c\u300a\u5148\u79e6\u6c49\u9b4f\u516d\u671d\u8bd7\u6b4c\u4f53\u5f0f\u7814\u7a76\u300b\u662f\u4e00\u90e8\u89c6\u89d2\u65b0\u9896\u7684\u5510\u524d\u8bd7\u6b4c\u4f53\u5f0f\u751f\u6210\u548c\u4f53\u8c03\u6f14\u8fdb\u7684 \u53d1\u5c55\u53f2\u3002For details, please visit <a href=\"http:\/\/www.amazon.cn\/%E5%85%88%E7%A7%A6%E6%B1%89%E9%AD%8F%E5%85%AD%E6%9C%9D%E8%AF%97%E6%AD%8C%E4%BD%93%E5%BC%8F%E7%A0%94%E7%A9%B6-%E8%91%9B%E6%99%93%E9%9F%B3\/dp\/B007TSPK6K\" target=\"new\" rel=\"noopener noreferrer\">here<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>Modern Archaics by Shengqing Wu<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even in the face of tumultuous social change? In this groundbreaking book, Shengqing Wu explores the transformation of Chinese classical-style poetry in the early twentieth century. Drawing on extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu discusses the continuing significance of the classical form with its densely allusive and intricately wrought style. She combines close readings of poems with a depiction of the cultural practices their authors participated in, including poetry gatherings, the use of mass media, international travel, and translation, to show how the lyrical tradition was a dynamic force fully capable of engaging with modernity. By examining the works and activities of previously neglected poets who maintained their commitment to traditional aesthetic ideals, <i>Modern Archaics<\/i> illuminates the splendor of Chinese lyricism and highlights the mutually transformative power of the modern and the archaic. For details, please visit <a href=\"http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674726673\" target=\"new\" rel=\"noopener noreferrer\">http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674726673<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>New Book Series of Women and Gender in China Studies Edited by Grace S. Fong<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>This new series &#8220;Women and Gender in China Studies&#8221; is edited by Professor Grace S. Fong. It aims to publish theoretically-informed, source-based scholarship on women and gender issues in China studies. Manuscript submissions may range in chronological coverage from earliest times to contemporary China. The editors will consider monograph studies as well as edited volumes from all disciplines in the humanities and social sciences. Interdisciplinary and comparative approaches to complex themes and questions are also encouraged. For details, please visit <a href=\"http:\/\/www.brill.com\/publications\/women-and-gender-china-studies\" target=\"new\" rel=\"noopener noreferrer\">http:\/\/www.brill.com\/publications\/women-and-gender-china-studies<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>Clouds Thick, Whereabouts Unknown: Poems by Zen Monks of China by Charles Egan<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>Charles Egan is Professor of Chinese and Director of the Chinese Flagship Partner Program at San Francisco State University. His recent book <i>Clouds Thick, Whereabouts Unknown: Poems by Zen Monks of China<\/i> was awarded the Asian translation prize from the American Literary Translators Association in 2011. For details, please visit <a href=\"http:\/\/www.utdallas.edu\/alta\/about\/lucien-stryk\/stryk2011\" target=\"new\" rel=\"noopener noreferrer\">http:\/\/www.utdallas.edu\/alta\/about\/lucien-stryk\/stryk2011<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>Every Rock a Universe by Jonathan Chaves<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>The Yellow Mountains (Huang shan) of China\u2019s Anhui Province have been famous for centuries as a place of scenic beauty and inspiration for poets, painters, and travelers, and remain a hugely popular tourist destination today. A \u201cgolden age\u201d of Yellow Mountains travel came in the 17th century, especially after the traumatic Manchu invasion of China in 1644 led to the overthrow of the Ming dynasty. The mountains subsequently became an important symbol for loyalists protesting the new Qing dynasty and hoping for a reaffirmation of native governance and ideals. Among them was poet and artist Wang Hongdu (1646\u20131721\/1722), who dedicated himself to traveling to each and every peak and site and recording his impressions. Unfortunately, his resulting masterpiece of Chinese travel writing was not printed until 1775 and has since remained obscure and available only in Chinese.In the present book, Professor Jonathan Chaves presents the first complete translation of Wang\u2019s work into a Western language, with extensive annotations. Wang\u2019s newly rediscovered poetry is also translated, showing him to be one of the most accomplished poets of his day. Introductory essays explore the history of scholarly and religious pilgrimage to the area, and the role of the Yellow Mountains in the great Neo-Confucian, Buddhist, and Daoist revivals of the early Qing period, that is, as the center of a yearned-for spiritual and cultural renaissance. For details, please visit <a href=\"http:\/\/www.amazon.com\/Every-Rock-Universe-Mountains-Chinese\/dp\/1891640704\">http:\/\/www.amazon.com\/Every-Rock-Universe-Mountains-Chinese\/dp\/1891640704<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>Women Shall Not Rule by Keith McMahon<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. <em>Women Shall Not Rule<\/em> offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony\u2014rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives.Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world. For details, please visit\u00a0<a href=\"http:\/\/www.amazon.com\/Women-Shall-Not-Rule-Concubines\/dp\/1442222891\">http:\/\/www.amazon.com\/Women-Shall-Not-Rule-Concubines\/dp\/1442222891<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>How to Read Chinese Poetry Workbook by Jie Cui and Zong-qi Cai<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>Designed to work with the acclaimed course text <em>How to Read Chinese Poetry: A Guided Anthology<\/em>, the <em>How to Read Chinese Poetry Workbook<\/em> introduces classical Chinese to advanced beginners and learners at higher levels, teaching them how to appreciate Chinese poetry in its original form. Also a remarkable stand-alone resource, the volume illuminates China&#8217;s major poetic genres and themes through one hundred well-known, easy-to-recite works. Each of the volume&#8217;s twenty units contains four to six classical poems in Chinese, English, and tone-marked pinyin romanization, with comprehensive vocabulary notes and prose poem translations in modern Chinese. Subsequent comprehension questions and comments focus on the artistic aspects of the poems, while exercises test readers&#8217; grasp of both classical and modern Chinese words, phrases, and syntax. An extensive glossary cross-references classical and modern Chinese usage, characters and compounds, and multiple character meanings, and online sound recordings are provided for each poem and its prose translation free of charge. A list of literary issues addressed throughout completes the volume, along with phonetic transcriptions for entering-tone characters, which appear in Tang and Song&#8211;regulated shi poems and lyric songs.\u00a0For details, please visit\u00a0<a href=\"http:\/\/www.cup.columbia.edu\/book\/978-0-231-15658-5\/how-to-read-chinese-poetry-workbook\" target=\"new\" rel=\"noopener noreferrer\">http:\/\/www.cup.columbia.edu\/book\/978-0-231-15658-5\/how-to-read-chinese-poetry-workbook<\/a> or <a href=\"http:\/\/www.amazon.com\/How-Read-Chinese-Poetry-Workbook\/dp\/0231156588\" target=\"new\" rel=\"noopener noreferrer\">here<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<li><div class='et-learn-more clearfix'>\n\t\t\t\t\t<h3 class='heading-more'>How to Read Chinese Poetry: A Guided Anthology edited by Zong-qi Cai<span class='et_learnmore_arrow'><span><\/span><\/span><\/h3>\n\t\t\t\t\t<div class='learn-more-content'>In this &#8220;guided&#8221; anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original.\u00a0For details, please visit\u00a0<a href=\"https:\/\/cup.columbia.edu\/book\/978-0-231-13940-3\/how-to-read-chinese-poetry\" target=\"new\" rel=\"noopener noreferrer\">https:\/\/cup.columbia.edu\/book\/978-0-231-13940-3\/how-to-read-chinese-poetry<\/a>\u00a0or <a href=\"http:\/\/www.amazon.com\/How-Read-Chinese-Poetry-Anthology\/dp\/0231139411\" target=\"new\" rel=\"noopener noreferrer\">here<\/a>.<\/div>\n\t\t\t\t<\/div><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We encourage FCPC members to list their books here with hyperlinks to websites like Google Books and Amazon.com. &nbsp; &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-623","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages\/623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forumcpc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=623"}],"version-history":[{"count":15,"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages\/623\/revisions"}],"predecessor-version":[{"id":3280,"href":"https:\/\/forumcpc.com\/index.php?rest_route=\/wp\/v2\/pages\/623\/revisions\/3280"}],"wp:attachment":[{"href":"https:\/\/forumcpc.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}