{"id":858,"date":"2015-09-30T20:55:54","date_gmt":"2015-09-30T20:55:54","guid":{"rendered":"https:\/\/forumcpc.com\/?page_id=858"},"modified":"2026-03-16T04:34:02","modified_gmt":"2026-03-16T04:34:02","slug":"back-issues","status":"publish","type":"page","link":"https:\/\/forumcpc.com\/?page_id=858","title":{"rendered":"Back Issues"},"content":{"rendered":"

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12.2<\/a>\u4e2812.1<\/a>\u4e2811.2<\/a>\u4e2811.1<\/a>\u4e2810.2<\/a>\u4e2810.1<\/a>\u4e289.2<\/a>\u4e289.1<\/a>\u4e288.2<\/a>\u4e288.1<\/a>\u4e287.2<\/a>\u4e287.1<\/a>\u4e28<\/h2>\n\n\n\n

6.2<\/a>\u4e286.1<\/a>\u4e285.2<\/a>\u4e28 5.1<\/a> \u4e28  4.2<\/a>\u4e28 4.1<\/a> \u4e28 3.2<\/a> \u4e283.1<\/a> \u4e282.2<\/a> \u4e282.1<\/a> \u4e281.1-2<\/a><\/h2>\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Volume 12 \u2022  Issue 2 \u2022  November 2025<\/strong><\/h4>\n\n\n\n

Available via Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

Good Things Come in Pairs: A Computational Study of Poetic Parallelism in the Six Dynasties.<\/p>\n\n\n\n

ZONG-QI CAI, MACIEJ KURZYNSKI, and XIAOTONG XU<\/p>\n\n\n\n

Beheaded Meanings and Anonymous Signifiers: Forms of Truth and Conditions for Its Emergence in Late Ming Court Case Fiction.<\/p>\n\n\n\n

JINSU KIM<\/p>\n\n\n\n

De-eroticizing the Inner Chamber: Zhou Qi\u2019s Ekphrastic Colophon in Lady at Dressing Table<\/em> by Wang Qiao.<\/p>\n\n\n\n

LEIHUA WENG<\/p>\n\n\n\n

Reconstructing Confucian Masculinity: Chen Tingzhuo\u2019s Poetic Ideal of \u201cDepth and Circuitousness.\u201d<\/p>\n\n\n\n

FAN WU<\/p>\n\n\n\n

The\u00a0Biji xiaoshuo<\/em>\u00a0\u7b46\u8a18\u5c0f\u8aaa Tradition and News Media: The Dianshizhai Pictorial<\/em> \u9ede\u77f3\u9f4b\u756b\u5831 as a Case Study.<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

Book Reviews<\/strong><\/em><\/p>\n\n\n\n

Albert Galvany, ed. The Craft of Oblivion: Forgetting and Memory in Ancient China<\/em>. SUNY Series in Chinese Philosophy and Culture. Albany: SUNY Press, 2023.<\/p>\n\n\n\n

PAUL R. GOLDIN<\/p>\n\n\n\n

Yamamoto Yoshitaka \u5c71\u672c\u5609\u5b5d. Shibun to keisei: Bakufu jushin no j\u016bhasseiki<\/em> \u8a69\u6587\u3068\u7d4c\u4e16\uff1a\u5e55\u5e9c\u5112\u81e3\u306e\u5341\u516b\u4e16\u7d00 (Poetry, Prose, and Governance: The Eighteenth Century of Confucian Officials of the Shogunate). Nagoya: Nagoya University Press, 2021.<\/p>\n\n\n\n

Ibi Takashi \u63d6\u6590\u9ad8. Edo Kanshi no j\u014dkei: F\u016bga to nichij\u014d<\/em> \u6c5f\u6238\u6f22\u8a69\u306e\u60c5\u666f\uff1a\u98a8\u96c5\u3068\u65e5\u5e38 (The Emotions and Landscape of Edo Kanshi: Elegance and the Everyday). Tokyo: Iwanami Shinsho no. 1940, 2022.<\/p>\n\n\n\n

Sugishita Motoaki \u6749\u4e0b\u5143\u660e. Hikaku bungaku to shite no Edo Kanshi<\/em> \u6bd4\u8f03\u6587\u5b66\u3068\u3057\u3066\u306e\u6c5f\u6238\u6f22\u8a69 (Edo Kanshi as Comparative Literature). Tokyo: Ky\u016bko shoin, 2023.<\/p>\n\n\n\n

Jonathan Chaves and Matthew Fraleigh. The Same Moon Shines on All: The Livesand Selected Poems of Yanagawa Seigan and K\u014dran.<\/em> New York: Columbia University Press, 2024.<\/p>\n\n\n\n

STEPHEN RODDY<\/p>\n\n\n\n

Keith McMahon. Saying All That Can Be Said: The Art of Describing Sex in Jin Ping Mei.<\/em> Cambridge, MA: Harvard University Press, 2023.<\/p>\n\n\n\n

Jiwei Xiao. Telling Details: Chinese Fiction, World Literature.<\/em> New York: Routledge, 2022.<\/p>\n\n\n\n

MARY SCOTT<\/p>\n\n\n\n

Patricia Sieber and Regina Llamas, eds. How to Read Chinese Drama: A Guided Anthology.<\/em> New York: Columbia University Press, 2022.<\/p>\n\n\n\n

Wilt L. Idema, Wai-Yee Li, and Stephen H.West, eds. A Topsy-Turvy World: Short Plays and Farces from the Ming and Qing Dynasties.<\/em> New York: Columbia University Press, 2023<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

Titles in Chinese Literature from Academic Monthly<\/em> \u5b78\u8853\u6708\u520a (Issues 1\u201312, 2024)<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

Volume 12 \u2022  Issue 1 \u2022  April 2025<\/strong><\/h4>\n\n\n\n

Special Issue: Key Terms of Chinese Literary Theory<\/strong><\/p>\n\n\n\n

Special Issue Editor: Zong-qi Cai<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

Introduction: Toward Establishing Chinese Literary Theory as a Viable Subject of Sinological Studies<\/p>\n\n\n\n

ZONG-QI CAI<\/p>\n\n\n\n

Cosmology-Derived Terms<\/strong><\/em><\/p>\n\n\n\n

Ziran<\/em> \u81ea\u7136 as a Term in Chinese Literary Theory and Its Conceptual Reductions<\/p>\n\n\n\n

YE YE and XINDA LIAN<\/p>\n\n\n\n

Literature and the Way: The Theoretical Foundation and Historical Development of Wendao<\/em>
\u6587\u9053<\/p>\n\n\n\n

LIU NING and YUGEN WANG<\/p>\n\n\n\n

A Literary Anatomy of the Binary Concept \u201cEmptiness-Substance\u201d<\/p>\n\n\n\n

LIU XIAOJUN and BENJAMIN RIDGWAY<\/p>\n\n\n\n

Between Vocality and Textuality: The Concept of Qi<\/em> \u6c23 in Chinese Literary Criticism<\/p>\n\n\n\n

HU QI and YUEFAN WANG<\/p>\n\n\n\n

Author-Focused Term<\/strong><\/em><\/p>\n\n\n\n

Literary Virtue: A Moral Cornerstone of Chinese Literary Theory<\/p>\n\n\n\n

ZHOU XINGLU and THOMAS MAZANEC<\/p>\n\n\n\n

Work-Focused Terms<\/strong><\/em><\/p>\n\n\n\n

The Formation and Evolution of the Theories of the Relation between Qing<\/em> \u60c5 and Jing<\/em> \u666f in Classical Chinese Poetics<\/p>\n\n\n\n

ZHENG LIHUA and XIAOSHAN YANG<\/p>\n\n\n\n

Unfolding the Layers of a Literary Standard: The Construction and Reconstruction of Yifa<\/em> \u7fa9
\u6cd5 (Substantive Technique), a Conceptual Apparatus for Classical Prose Criticism<\/p>\n\n\n\n

LU YIN and ALEXANDER DES FORGES<\/p>\n\n\n\n

The Literary-Critical Use of the Term Duncuo<\/em> \u9813\u632b<\/p>\n\n\n\n

LUCAS RAMBO BENDER<\/p>\n\n\n\n

Reception-Focused Terms<\/strong><\/em><\/p>\n\n\n\n

Whence Comes the Wind? Transformations of the Concept of Fengyu<\/em> \u8af7\u8aed from
Admonition and Instruction to Analogy and Satire<\/p>\n\n\n\n

CHENG SUDONG and STEPHEN RODDY<\/p>\n\n\n\n

Inspired Appeal and Divine Resonance: Sensory and Spiritual Dimensions of Xingqu<\/em> \u8208\u8da3<\/p>\n\n\n\n

CHEN GUANGHONG and CASEY SCHOENBERGER<\/p>\n\n\n\n

\u201cOld and New,\u201d \u201cRaw and Ripe,\u201d and \u201cNovel and Fresh\u201d: The Concept of Originality in
Classical Chinese Literary Theory<\/p>\n\n\n\n

JIANG YIN and LI E<\/p>\n\n\n\n

Theoretical Reflection<\/strong><\/em><\/p>\n\n\n\n

Key Terms Studies: Recovering the Inherent System of Chinese Literary Theory<\/p>\n\n\n\n

ZONG-QI CAI<\/p>\n\n\n\n

Contributors<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Volume 11 \u2022  Issue 2 \u2022  November 202<\/strong>4<\/h4>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

Brevity and Breadth: A Linguistic, Aesthetic, and DH-Assisted Study of the Book of Poetry and \u201cNineteen Old Poems\u201d<\/p>\n\n\n\n

ZONG-QI CAI and MACIEJ KURZYNSKI<\/p>\n\n\n\n

Some \u201cHan\u201d Fu on Things<\/p>\n\n\n\n

LUKE WARING<\/p>\n\n\n\n

Mencian Reincarnations: Mercy and Forgiveness in the Seventeenth-Century Chinese Novel Predestined Marriage That Awakens the World<\/p>\n\n\n\n

YUANFEI WANG<\/p>\n\n\n\n

Constructing Cosmopolitan Identities in the Literary Sinosphere<\/p>\n\n\n\n

STEPHEN J. RODDY, Organizer Fashioning Cosmopolitan Desires: The \u201cBamboo Branch Lyrics\u201d Poetry Genre in Late Chos\u014fn Korea<\/p>\n\n\n\n

SOOKJA CHO<\/p>\n\n\n\n

Civilization Remapped in Chikamatsu Monzaemon\u2019s The Later Battles of Coxinga<\/p>\n\n\n\n

 WILLIAM C. HEDBERG<\/p>\n\n\n\n

From Wat\u014dnai to Coxinga: Shaping and Reshaping Identities in the Kokusenya Kassen<\/p>\n\n\n\n

ZHAOKUN XIN and YUTONG WU<\/p>\n\n\n\n

Book Reviews<\/p>\n\n\n\n

Shengyu Fan. The Translator\u2019s Mirror for the Romantic: Cao Xueqin\u2019s Dream and David Hawkes\u2019 Stone (Routledge Studies in Chinese Translation). New York: Routledge, 2022.<\/p>\n\n\n\n

QIANG (JASON) LI<\/p>\n\n\n\n

Zong-qi Cai \u8521\u5b97\u9f4a. Yufa yu shijing\u2014hanshi yishu zhi poxi \u8a9e\u6cd5\u4e0e\u8a69\u5883\u2014\u6f22\u8a69\u85dd\u8853\u4e4b\u7834\u6790 (Grammarand Poetic Vision: Deciphering the Art of Classical Chinese Poetry). Beijing: Zhonghua shuju, 2021.<\/p>\n\n\n\n

XINDA LIAN Susan Chan Egan and Pai Hsien-yung. A Companion to The Story of the Stone: A Chapter-by-Chapter Guide. New York: Columbia University Press, 2021.  <\/p>\n\n\n\n

ANN WALTNER Haun Saussy. The Making of Barbarians: Chinese Literature and Multilingual Asia. Princeton, NJ: Princeton University Press, 2022.<\/p>\n\n\n\n

YUE ZHANG \u5f35\u6708 and LINGSHUANG LAI \u8cf4\u4f36\u96d9<\/p>\n\n\n\n

Titles in Chinese Literature from Academic Monthly \u5b78\u8853\u6708\u520a<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

Volume 11 \u2022  Issue 1 \u2022  April 202<\/strong>4<\/h4>\n\n\n\n

Special Issue Hearing Things: Voices of the Nonhuman in Chinese Literary and Visual Culture<\/strong><\/p>\n\n\n\n

Guest Editor Paula Varsano<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Just Listening: An Introduction<\/p>\n\n\n\n

PAULA VARSANO<\/p>\n\n\n\n

Voices from the Other Side: Exploring Non-human Agents and Their Narrative Function in the Zhuangzi<\/em><\/p>\n\n\n\n

ROMAIN GRAZIANI<\/p>\n\n\n\n

Simian Episteme, ca. 1200<\/p>\n\n\n\n

JEEHEE HONG<\/p>\n\n\n\n

Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux<\/p>\n\n\n\n

JEFFREY MOSER<\/p>\n\n\n\n

The Crying Statue in Early Qing Drama<\/p>\n\n\n\n

THOMAS KELLY<\/p>\n\n\n\n

Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales<\/p>\n\n\n\n

LI WEI<\/p>\n\n\n\n

Manuscript and the Human in Modern China<\/p>\n\n\n\n

CHLOE ESTEP<\/p>\n\n\n\n

What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang\u2019s Peking Opera Film Dream of the Bridal Chamber<\/em><\/p>\n\n\n\n

LING HON LAM<\/p>\n\n\n\n

Contributors<\/p>\n\n\n\n

\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Volume 10 \u2022  Issue 2 \u2022  November 202<\/strong>3<\/h4>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

The Philosophical Proposition \u201cA Piercing Glance Elevates the Mind\u201d and the Buddhist Thought in Zong Bing\u2019s \u201cA Preface to the Painting of Landscape\u201d<\/p>\n\n\n\n

ZONG-QI CAI and STEPHEN RODDY<\/p>\n\n\n\n

<\/p>\n\n\n\n

Horse Language and Improvised Memorials: Gong Kai\u2019s Equine Paintings and Song Loyalism<\/p>\n\n\n\n

NAJUNG KIM<\/p>\n\n\n\n

<\/p>\n\n\n\n

Unquiet Qing<\/em>: The Course of Lovesickness in the Modernization of Chinese Literature<\/p>\n\n\n\n

LIU ZIYUN and YUEFAN WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West<\/em><\/p>\n\n\n\n

KEITH MCMAHON<\/p>\n\n\n\n

<\/p>\n\n\n\n

How Should the Dragon King Memorialize the Jade Emperor?<\/p>\n\n\n\n

Margins of Political Thought in Late Ming China<\/p>\n\n\n\n

SHOUFU YIN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Emperor Qianlong\u2019s Literary Aggrandizement in the Eighteenth Century<\/p>\n\n\n\n

YAN ZINAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Review Essay<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n

On Translating Mountains & Seas: A Review Essay<\/p>\n\n\n\n

NEWELL ANN VAN AUKEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book Reviews<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n

Yue Zhang. Lore and Verse: Poems on History in Early Medieval China<\/em>. Albany, NY: State University of New York Press, 2022.<\/p>\n\n\n\n

NANXIU QIAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Guo Yingde \u90ed\u82f1\u5fb7 and Li Zhiyuan \u674e\u5fd7\u9060, eds. Ming Qing xiqu xuba zuanjian<\/em> \u660e\u6e05\u6232\u66f2\u5e8f\u8dcb\u7e82\u7b8b (Annotated Collection of Prefaces and Postscripts to Ming\u2013Qing Dramatic Texts). Beijing: Renmin wenxue chubanshe, 2021.<\/p>\n\n\n\n

MENGXIAO WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Jack Chen. Anecdote, Network, Gossip, Performance: Essays on the<\/em> Shishuo xinyu<\/em>. Cambridge, MA: Harvard University Asia Center, 2021.<\/p>\n\n\n\n

YUE ZHANG and YI JIANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Titles in Chinese Literature from Academic Monthly<\/em> \u5b78\u8853\u6708\u520a<\/p>\n\n\n\n

\n\n\n\n

Volume 10  \u2022  Issue 1 \u2022  April 202<\/strong>3<\/h4>\n\n\n\n

Special Issue Rethinking Authorship and Agency: Women and Gender in Late Imperial China<\/strong><\/p>\n\n\n\n

Editors<\/strong> Grace S. Fong and Guojun Wang<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Rethinking Authorship and Agency: Women and Gender in Late Imperial China<\/p>\n\n\n\n

GRACE S. FONG and GUOJUN WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Guixiu: Changes through Time and Space<\/em><\/em><\/p>\n\n\n\n

Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling<\/p>\n\n\n\n

ELLEN WIDMER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Garden, Gender, and Memory: Shang Jinglan and Her Writings in the Ming-Qing Transition<\/p>\n\n\n\n

YUEFAN WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Yangzhou Revisited: Spatial Imaginaries and Women\u2019s Literature during the Qing<\/p>\n\n\n\n

BINBIN YANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Where Have All the Guixiu<\/em> Gone?: Chinese \u201cWomen of Talent\u201d at the Turn of the Twentieth Century<\/p>\n\n\n\n

XIAORONG LI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Transcendence and Transgression<\/em><\/em><\/p>\n\n\n\n

\u201cShe Whistles Freely Shunning Companions\u201d: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century<\/p>\n\n\n\n

JANET THEISS<\/p>\n\n\n\n

<\/p>\n\n\n\n

From Convention to Subversion: Case Studies on the Female Gaze in Premodern China<\/p>\n\n\n\n

GRACE S. FONG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Zaisheng yuan<\/em> and the Writing of Women\u2019s Culture<\/p>\n\n\n\n

MARAM EPSTEIN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Negotiating Virtues<\/em><\/em><\/p>\n\n\n\n

Agency and Strategy: Chastity Exemplars in an Early Qing Anthology<\/p>\n\n\n\n

JESSICA DVORAK MOYER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Virtue and Women\u2019s Authorship in Chinese Art History: A Study of Yutai huashi<\/em> (History of Painting from Jade Terrace)<\/p>\n\n\n\n

LARA C. W. BLANCHARD<\/p>\n\n\n\n

<\/p>\n\n\n\n

A Son\u2019s Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China<\/p>\n\n\n\n

MARTIN W. HUANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature<\/p>\n\n\n\n

GUOJUN WANG and GUO YINGDE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Contributors<\/p>\n\n\n\n

\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Volume 9 \u2022  Issue 2 \u2022  November 202<\/strong>2<\/h4>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Rereading a Poetics of Divination:<\/p>\n\n\n\n

Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism<\/p>\n\n\n\n

THOMAS DONNELLY NOEL<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu<\/em> <\/p>\n\n\n\n

QIULEI HU<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u201cIn the Mountain Forest I lose My Self\u201d:<\/p>\n\n\n\n

The Experience of No-Self in Wang Wei\u2019s Short Landscape Poems<\/p>\n\n\n\n

TERO T\u00c4HTINEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

What Do Jokes Reveal about Trust in Ming Work Relations?<\/p>\n\n\n\n

SARAH SCHNEEWIND<\/p>\n\n\n\n

<\/p>\n\n\n\n

Space and Identity: Self-representation of a Ming Nanjing Courtesan in Transformation<\/p>\n\n\n\n

JIANI CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Facets of Chinese Culture<\/em><\/p>\n\n\n\n

The Boundary of Chinese Music:<\/p>\n\n\n\n

A Cultural and Aesthetic Comparison Between Pipa<\/em> and Guqin<\/em><\/p>\n\n\n\n

IVAN YIFAN ZOU, YACHING TSAI, and WILLIAM SHI-YUAN WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book Reviews<\/em><\/p>\n\n\n\n

Peter Francis Kornicki. Languages, Scripts, and Chinese Texts in East Asia<\/em>. Oxford: Oxford University Press, 2018.<\/p>\n\n\n\n

MINGHUI HU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Suyoung Son. Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China<\/em>. Cambridge, MA: Harvard University Asia Center, 2018.<\/p>\n\n\n\n

LING HON LAM<\/p>\n\n\n\n

<\/p>\n\n\n\n

Li Ling. The Chu Silk Manuscripts from Zidanku, Changsha <\/em>(Hunan Province<\/em>). Volume 1: Discovery and Transmission<\/em>. Translated and edited by Lothar von Falkenhausen. Hong Kong: Chinese University of Hong Kong, 2020.<\/p>\n\n\n\n

MICHAEL NYLAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Jiushan Shuhui. Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play<\/em>. Translated and introduced by Regina S. Liamas. New York: <\/em>Columbia University Press, 2021.<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u001fChen Jun  \u9673\u541b. Runse <\/em>h<\/em>ongye: Hanshu wenben de xingcheng yu zaoqi chuanbo <\/em>\u6f64\u8272\u9d3b\u696d\uff1a\u6f22\u66f8\u6587\u672c\u7684\u5f62\u6210\u8207\u65e9\u671f\u50b3\u64ad (Embellishing the Imperial Order: The Formation of the Hanshu<\/em> and Its Circulation in Medieval China). Beijing: Peking University Press, 2020.<\/p>\n\n\n\n

XU JIANWEI<\/p>\n\n\n\n

HARDY STEWART, Translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Zhang Yue \u5f35\u6708 and Chen Yinchi \u9673\u5f15\u99b3. Zhonggu wenxue zhong de shi yu shi<\/em> \u4e2d\u53e4\u6587\u5b78\u4e2d\u7684\u8a69\u8207\u53f2 (The Interrelation of Poetry and History in Medieval Literature). Shanghai: Fudan daxue chubanshe, 2020. <\/p>\n\n\n\n

ISAAC YUE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Xiaoshan Yang. Wang Anshi and Song Poetic Culture<\/em>. Cambridge, MA: Harvard University Asia Center, 2021.<\/p>\n\n\n\n

YUE ZHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Titles in Chinese Literature from Academic Monthly<\/em> \u5b78\u8853\u6708\u520a<\/p>\n\n\n\n

\n\n\n\n

Volume 9  \u2022  Issue 1 \u2022  April 202<\/strong>2<\/h4>\n\n\n\n

Special Issue Critical Theory and Premodern Chinese Literature<\/strong><\/p>\n\n\n\n

Editors<\/strong> Stephen Roddy and Zong-qi Cai <\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

STEPHEN J. RODDY<\/p>\n\n\n\n

<\/p>\n\n\n\n

Reflecting on the Past<\/em><\/p>\n\n\n\n

The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language<\/p>\n\n\n\n

PAULA VARSANO<\/p>\n\n\n\n

<\/p>\n\n\n\n

Secret Laid Bare: Close Reading of Chinese Poetry<\/p>\n\n\n\n

XINDA LIAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Decentering Sinas<\/em>: Poststructuralism and Sinology<\/p>\n\n\n\n

LUCAS KLEIN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Feminist Theories and Women Writers of Late Imperial China: Impact and Critique<\/p>\n\n\n\n

GRACE S. FONG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Looking to the Future<\/em><\/p>\n\n\n\n

Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan \u5c48\u539f and the Lisao<\/em> \u96e2\u9a37<\/p>\n\n\n\n

MARTIN KERN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Mouvance<\/em> in Medieval Chinese Textual Culture: Lunyu<\/em> \u8ad6\u8a9e <\/em>in a Dunhuang Florilegium<\/p>\n\n\n\n

CHRISTOPHER M. B. NUGENT<\/p>\n\n\n\n

<\/p>\n\n\n\n

Theories of Spatiality and the Study of Medieval China<\/p>\n\n\n\n

MANLING LUO<\/p>\n\n\n\n

<\/p>\n\n\n\n

Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu <\/em>\u6232\u66f2) as World Theater<\/p>\n\n\n\n

PATRICIA SIEBER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Inward Turns, Then and Now<\/p>\n\n\n\n

ALEXANDER DES FORGES<\/p>\n\n\n\n

<\/p>\n\n\n\n

Contributors<\/p>\n\n\n\n

\n\n\n\n

Volume 8  \u2022  Issue 2 \u2022  November 202<\/strong>1<\/h4>\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Cumulative Structure in Zhuangzi\u2019s \u201cThe Great and Venerable Teacher\u201d<\/p>\n\n\n\n

XINDA LIAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Divided Liang Dynasty Literary World Seen Through the Liu-Dao Dispute<\/p>\n\n\n\n

WANG XIAOMENG and JING CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Guo Xi on Painting the Invisible Gaze of Dao<\/p>\n\n\n\n

DAVID CHAI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Plays Within Songs: Sanqu<\/em> Songs from Literary Refinement (ya<\/em>) to Popular Appeal (su<\/em>)<\/p>\n\n\n\n

WANG SHIH-PE<\/p>\n\n\n\n

ERXIN WANG, Translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Riddles in Jin Ping Mei Cihua<\/em><\/p>\n\n\n\n

THOMAS KELLY<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Textual Architecture of Empire in Two Early Qing Anthologies<\/p>\n\n\n\n

JESSICA DVORAK MOYER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Marginalia Transcription and Scholarly Culture in the Qing Dynasty<\/p>\n\n\n\n

WEI YINZONG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book Reviews<\/em><\/p>\n\n\n\n

N. Harry Rothschild and Leslie V. Wallace, eds. Behaving Badly in Early and Medieval China.<\/em> HI: University of Hawai\u2019i Press, 2017.<\/p>\n\n\n\n

ROBERT ASHMORE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Klaus M\u00fchlhahn. Making China Modern: From The Great Qing to Xi Jinping<\/em>. Cambridge, MA: Harvard University Press, 2019.<\/p>\n\n\n\n

MINGHUI HU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Li Yu. A Couple of Soles<\/em>: A Comic Play from Seventeenth-Century China<\/em>. Translated by Jing Shen and Robert E. Hegel. New York: Columbia University Press, 2019.<\/p>\n\n\n\n

YING WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Wendy Swartz. Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China<\/em>. Cambridge, MA: Harvard University Asia Center, 2018.<\/p>\n\n\n\n

YUE ZHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Xiaofei Tian. The Halberd at Red Cliff: Jian\u2019an and the Three Kingdoms<\/em>. Cambridge, MA: Harvard University Asia Center, 2018.<\/p>\n\n\n\n

YUE ZHANG<\/p>\n\n\n\n

\n\n\n\n

Volume 8  \u2022  Issue 1 \u2022  April 2021<\/strong><\/h4>\n\n\n\n

Special Issue The Protean World of Sanqu Songs<\/strong><\/p>\n\n\n\n

Guest<\/strong> Editor Patricia Sieber<\/strong><\/b><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

PATRICIA SIEBER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Sanqu and Its Relationship to the Theater<\/em><\/p>\n\n\n\n

The Ultimate Sanqu<\/em> Song: Yao Shouzhong\u2019s \u201cThe Complaint of the Ox\u201d and Its Place in Tanaka Kenji\u2019s Scholarship on Sanqu<\/em><\/p>\n\n\n\n

WILT L. IDEMA<\/p>\n\n\n\n

<\/p>\n\n\n\n

Performing the Emperor: Sui Jingchen\u2019s \u201cHan Gaozu Returns to His Home Village\u201d<\/p>\n\n\n\n

KARIN MYHRE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Performing the Role of Playwright: Jia Zhongming\u2019s Sanqu<\/em> Songs in the Supplement to The Register of Ghosts<\/em><\/p>\n\n\n\n

WENBO CHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Sanqu as a Cultural Form and Its Social Diffusion<\/em><\/p>\n\n\n\n

A Dialectic Between Genres and Extension of Poetic Functions: Zhang Kejiu\u2019s \u201cRegulated Songs\u201d<\/p>\n\n\n\n

JAEHYUK LEE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Yuan-Ming Sanqu<\/em> Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective<\/p>\n\n\n\n

YE YE<\/p>\n\n\n\n

ERXIN WANG, Translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

In Praise of This Prosperous and Harmonious Empire: Sanqu<\/em>, Ming Anthologies, and the Imperial Court<\/p>\n\n\n\n

TIAN YUAN TAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Sanqu and Literary Translation<\/em><\/p>\n\n\n\n

In Search of Pure Sound: Sanqu<\/em> Songs, Genre Aesthetics, and Translations Tactics<\/p>\n\n\n\n

PATRICIA SIEBER et al.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Theoretical Reflections<\/em><\/p>\n\n\n\n

A Flavor All Its Own: Some Theoretical Considerations on Sanqu<\/em> Songs as Mixed-Register Literature<\/p>\n\n\n\n

PATRICIA SIEBER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Contributors<\/p>\n\n\n\n

\n\n\n\n

Volume 7  \u2022  Issue 2 \u2022  November<\/strong> 2020<\/strong><\/h4>\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Heroes Play by the Rules: Yu Yue\u2019s Pedagogy for the Eight-Legged Essay<\/p>\n\n\n\n

STEPHEN RODDY<\/p>\n\n\n\n

<\/p>\n\n\n\n

Hearts in the Hometown: Diaspora Consciousness and Literature of the Tang and Song<\/p>\n\n\n\n

MA ZILI and FAN PIK WAH<\/p>\n\n\n\n

WENDY HOR, Translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Buddhist Epigraphy and Traditions of Writing in the Northern Dynasties<\/p>\n\n\n\n

JORDAN DAVIS<\/p>\n\n\n\n

<\/p>\n\n\n\n

Beyond the City Walls:<\/p>\n\n\n\n

Photographic Seeing and the Longing for Wilderness in Yang Wanli\u2019s Nature Poems<\/p>\n\n\n\n

Li E<\/p>\n\n\n\n

<\/p>\n\n\n\n

Facets of Chinese Culture<\/em><\/p>\n\n\n\n

The Art of Chinese Prose: A Critical Introduction<\/p>\n\n\n\n

ZONG-QI CAI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Text Matters<\/em><\/p>\n\n\n\n

The Huang Kan Commentary on the Analects: A Critical Examination<\/p>\n\n\n\n

LIU YUCAI<\/p>\n\n\n\n

CARL GENE FORDHAM, Translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Review Essay<\/em><\/p>\n\n\n\n

Du Fu Studies from 2000-2019<\/p>\n\n\n\n

LIU NING and JUE CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book Reviews<\/em><\/p>\n\n\n\n

Shen Zongqian. Esquif sur l\u00b4oc\u00e9an de la peinture<\/em> \u82a5\u821f\u5b78\u756b\u7de8<\/em>. Translated and annotated by Yolaine Escande. Paris: Les Belles Lettres, 2019.<\/p>\n\n\n\n

ANTONIO MEZCUA L\u00d3PEZ<\/p>\n\n\n\n

<\/p>\n\n\n\n

Ping Foong. The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court.<\/em> Cambridge, MA: Harvard University Asia Center, 2015.<\/p>\n\n\n\n

WILLIAM MA<\/p>\n\n\n\n

<\/p>\n\n\n\n

Zong-Qi Cai, ed. How to<\/em> Read Chinese Poetry in Context: Poetic Culture from Antiquity Through the Tang<\/em>. New York: Columbia University Press, 2018.<\/p>\n\n\n\n

CHRISTOPHER M. B. NUGENT<\/p>\n\n\n\n

<\/p>\n\n\n\n

I-Hsien Wu. Eroticism and Other Literary Conventions in Chinese Literature: Intertextuality in The Story of the Stone<\/em>. Amherst, NY: Cambria Press, 2017.<\/p>\n\n\n\n

MARY SCOTT<\/p>\n\n\n\n

<\/p>\n\n\n\n

Zuo Tradition. Zuozhuan <\/em>\u5de6\u50b3<\/em>: Commentary on the \u201cSpring and Autumn Annals.\u201d <\/em>Translated and introduced by Stephen Durrant, Wai-yee Li, and David Schaberg. 3 vols. Seattle: University of Washington Press, 2016.<\/p>\n\n\n\n

KAI VOGELSANG<\/p>\n\n\n\n

\n\n\n\n

Volume 7  \u2022  Issue 1 \u2022  April<\/strong> 2020<\/strong><\/h4>\n\n\n\n

Special Issue Cultural Others in Traditional Chinese Literature<\/strong><\/p>\n\n\n\n

Guest <\/strong>Editor Wai-yee Li<\/b><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Introduction: Thinking Through Cultural Others<\/p>\n\n\n\n

WAI-YEE LI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Cultural Identity and Cultural Difference in Zuozhuan<\/p>\n\n\n\n

WAI-YEE LI<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Epistolary Self and Psychological Warfare: Tuoba Tao\u2019s \u62d3\u8dcb\u71fe<\/p>\n\n\n\n

(408\u2013452, r. 423\u2013452) Letters and His Southern Audience<\/p>\n\n\n\n

LU KOU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Journeys to the West: Travelogues and Discursive Power in the Making of the Mongol Empire<\/p>\n\n\n\n

MING TAK TED HUI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Closer to Home: A Hanlin Academician Writes about Persons outside the Educated Class<\/p>\n\n\n\n

RONALD EGAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Knowledge, Motion, and Imagination: Negotiating Cultural Boundaries<\/p>\n\n\n\n

in The Eunuch Sanbao\u2019s Voyage to the Western Ocean<\/p>\n\n\n\n

CHIUNG-YUN EVELYN LIU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Exit, Pursued by a Bear: Dushu sheng and the Limits of Community in the Early Qing<\/p>\n\n\n\n

ARIEL FOX<\/p>\n\n\n\n

<\/p>\n\n\n\n

Cultural Self-Definition of Southwest Chieftains during the Ming-Qing Transition<\/p>\n\n\n\n

SIAO-CHEN HU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Exile, Borders, and Poetry: A Study of Fang Xiaobiao\u2019s \u201cMiscellaneous<\/p>\n\n\n\n

Poems on the Eastern Journey\u201d<\/p>\n\n\n\n

LAWRENCE YIM<\/p>\n\n\n\n

<\/p>\n\n\n\n

Multiple Otherness: Identity Politics in the Taiping Civil War<\/p>\n\n\n\n

HUAN JIN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Contributors<\/p>\n\n\n\n

\n\n\n\n

Volume 6  \u2022  Issue 2 \u2022  November<\/strong> 2019<\/strong><\/h4>\n\n\n\n

Editors Yuan Xingpei and Zong-qi Cai<\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Comparative Phonorhetorical Analyses of Speeches in the Zuo Commentary<\/em> and the Discourses of the States<\/em><\/p>\n\n\n\n

JEFFREY R. THARSEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Genre Conflation and Fictional Religiosity in Guilian meng<\/em> (Returning to the Lotus Dream)<\/p>\n\n\n\n

MENGJUN LI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Identities and Literary Culture in Qing China: Manchu Emperors as Chinese Poets, Readers, and Publishers<\/p>\n\n\n\n

KAI-WING CHOW<\/p>\n\n\n\n

<\/p>\n\n\n\n

Playing Against Type: The Moral Merchant on the Early Qing Stage<\/p>\n\n\n\n

ARIEL FOX<\/p>\n\n\n\n

<\/p>\n\n\n\n

Sending Flowers into the Mirror: Jinghua yuan<\/em> as Metafiction<\/p>\n\n\n\n

LIANGYAN GE<\/p>\n\n\n\n

<\/p>\n\n\n\n

Facets of Chinese Culture<\/em><\/p>\n\n\n\n

The Ancient Chinese Arts of the Ear: Etymology, Meteorology, Musicology<\/p>\n\n\n\n

WANG XIAODUN and CASEY SCHOENBERGER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Text Matters<\/em><\/p>\n\n\n\n

Tao Yuanming in Recently Unearthed Epitaphs from the Sui and Tang<\/p>\n\n\n\n

HU KEXIAN and YUAN ZHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book Reviews<\/em><\/p>\n\n\n\n

Zhang Yingyu. The Book of Swindles: Selections from a Late Ming Collection.<\/em>Translated by Christopher Rea and Bruce Rusk. New York: Columbia University Press, 2017.<\/p>\n\n\n\n

KATHERINE CARLITZ<\/p>\n\n\n\n

<\/p>\n\n\n\n

Rebecca Doran.Transgressive Typologies: Construction of Gender and Power in Early Tang China<\/em>. Cambridge, MA: Harvard University Asia Center, 2016.<\/p>\n\n\n\n

MARAM EPSTEIN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Joseph S. C. Lam, Shuen-fu Lin, Christian de Pee, and Martin Powers, eds. Senses of the City: Perceptions of Hangzhou and Southern Song China 1127-1279<\/em>. Hong Kong: CUHK Press, 2017.<\/p>\n\n\n\n

MICHAEL FULLER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Elena Suet-ying Chiu. Bannerman Tales (Zidishu): Manchu Storytelling and Cultural Hybridity in the Qing Dynasty.<\/em> Cambridge, MA: Harvard-Yenching Monograph Series 105, Harvard University Asia Center, 2018.<\/p>\n\n\n\n

MARY SCOTT<\/p>\n\n\n\n

<\/p>\n\n\n\n

Xiaorong Li. The Poetics and Politics of Sensuality in China: The \u201cFragrant and Bedazzling\u201d Movement (1600-1930)<\/em>. New York: Cambria University Press, 2019.<\/p>\n\n\n\n

PAOLA ZAMPERINI<\/p>\n\n\n\n

\n\n\n\n

Volume 6  \u2022  Issue 1 \u2022  April<\/strong> 2019<\/strong><\/h4>\n\n\n\n

Special Issue Emotion and Visuality in Chinese Literature and Culture<\/strong><\/p>\n\n\n\n

Editors<\/b> Zong-qi Cai and Shengqing Wu<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

ZONG-QI CAI & SHENGQING WU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Su Shi Renders No Emotion<\/p>\n\n\n\n

PETER C. STURMAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Emotive Object in Medieval China<\/p>\n\n\n\n

JEFFREY MOSER<\/p>\n\n\n\n

<\/p>\n\n\n\n

Chen Hongshou\u2019s Laments<\/p>\n\n\n\n

ANNE BURKUS-CHASSON<\/p>\n\n\n\n

<\/p>\n\n\n\n

What Remains of Mountains and Waters: Fragments, Mutilation, and Creation in Early Qing Literature and Culture<\/p>\n\n\n\n

YINGZHI ZHAO<\/p>\n\n\n\n

<\/p>\n\n\n\n

Image, Word, and Emotion: The Persistence of the Beautiful\/Lovelorn Woman in the New-Style \u201cHundred Beauties\u201d Albums (1900-1920s)<\/p>\n\n\n\n

XIAORONG LI<\/p>\n\n\n\n

<\/p>\n\n\n\n

Haunting, (In)Visibility, Filiality: Qiu Canzhi (1901-67) and Her Works of Mourning<\/p>\n\n\n\n

HU YING<\/p>\n\n\n\n

<\/p>\n\n\n\n

Nostalgic Fragments in the Thick of Things: Yuan Kewen (1890-1931) and the Act of Remembering<\/p>\n\n\n\n

SHENGQING WU<\/p>\n\n\n\n

\n\n\n\n

Volume 5  \u2022  Issue 2 \u2022  November<\/strong> 2018<\/strong><\/h4>\n\n\n\n

Special Issue Digital Methods and Traditional Chinese Literary Studies<\/span><\/strong><\/p>\n\n\n\n

Guest<\/strong> Editors Thomas J. Mazanec; Jeffery R. Tharsen & Jing Chen<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

JCLC 5.2 Special Issue Data Repository<\/strong>: https:\/\/forumcpc.com\/?page_id=1512<\/a><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

THOMAS MAZANEC, JEFFREY THARSEN, JING CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Digital Approaches to Text Reuse in the Early Chinese Corpus<\/p>\n\n\n\n

DONALD STURGEON<\/p>\n\n\n\n

<\/p>\n\n\n\n

Drawing out the Essentials: Historiographic Annotation as a Textual Network<\/p>\n\n\n\n

EVAN NICOLL-JOHNSON<\/p>\n\n\n\n

<\/p>\n\n\n\n

Describing Objects in Tang Dynasty Poetic Language: a Study Based on Word Embeddings<\/p>\n\n\n\n

MARIANA ZORKINA<\/p>\n\n\n\n

<\/p>\n\n\n\n

Exploring Chinese Poetry with Digital Assistance: Examples from Linguistic, Literary, and Historical Viewpoints<\/p>\n\n\n\n

CHAO-LIN LIU, THOMAS MAZANEC, JEFFREY THARSEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Networks of Exchange Poetry in Late Medieval China: Notes Toward a Dynamic History of Tang Literature<\/p>\n\n\n\n

THOMAS MAZANEC<\/p>\n\n\n\n

<\/p>\n\n\n\n

Geographic Distribution and Change in Tang Poetry: Data Analysis from the \u201cChronological Map of Tang-Song Literature\u201d<\/p>\n\n\n\n

WANG ZHAOPENG, QIAO JUNJUN
THOMAS MAZANEC, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Visualizing Alternative Literary Canons in Ming Dynasty China (1368-1644): A Preliminary Case Study<\/p>\n\n\n\n

TIMOTHY ROBERT CLIFFORD<\/p>\n\n\n\n

<\/p>\n\n\n\n

New Frontiers of Electronic Textual Research in the Humanities: Investigating Classical Allusions in Chinese Poetry through Digital Methods<\/p>\n\n\n\n

YI-LONG HUANG, BINGYU ZHENG<\/p>\n\n\n\n

\n\n\n\n

Volume 5  \u2022  Issue 1 \u2022  <\/strong>April 2018<\/strong><\/h4>\n\n\n\n

Regular Issue<\/strong><\/p>\n\n\n\n

Editors Yuan Xingpei & Zong-qi Cai<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

The Attendant\u2019s Lament: Loansharking, Squeeze, and Extortion in the Yangzhou Novel Fengyue meng <\/em>(Seductive Dreams)<\/p>\n\n\n\n

KEITH MCMAHON<\/p>\n\n\n\n

<\/p>\n\n\n\n

Men\u2019s Appearance and Political Careers in Han China<\/p>\n\n\n\n

YIQUN ZHOU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Music, Morality, and Genre in Tang Poetry<\/p>\n\n\n\n

QIAN ZHIXI and CASEY SCHOENBERGER<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Xikun Experiment: Imitation and the Making of the New Poetic Style in the Early Northern Song<\/p>\n\n\n\n

YUGEN WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Beef, Fish, and Chestnut Cake: Food for Heroes in the Late Imperial Chinese Novel<\/p>\n\n\n\n

YAN LIANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Pursuit of the Dao: Natsume S\u014dseki and His Kanshi<\/em> of 1916<\/p>\n\n\n\n

XIAOHUI ZHANG<\/p>\n\n\n\n

\n\n\n\n

Volume 4  \u2022  Issue 2 \u2022  November 2017<\/strong><\/h4>\n\n\n\n

Special Issue <\/strong>Song Dynasty Literature and Culture<\/strong><\/p>\n\n\n\n

Guest Editor Ronald Egan<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

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Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

RONALD EGAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Su Shi Studies<\/em><\/p>\n\n\n\n

Su Shi\u2019s Gift to Zhuo Qishun and the Sociality of Calligraphy<\/p>\n\n\n\n

XIAOSHAN YANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Past Lives of Su Shi: Stories of Truth and Adaptation<\/p>\n\n\n\n

ZHU GANG and ZHAO HUIJUN<\/p>\n\n\n\n

XIAO RAO, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

A Study of Su Shi\u2019s Calligraphy Scroll Containing \u201cRhapsody on Dongting Spring Colors Wine\u201d and \u201cRhapsody on Pine Wine of Zhongshan\u201d<\/p>\n\n\n\n

I LO-FEN<\/p>\n\n\n\n

RONALD EGAN, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

The Literary Past, Literature and Moral Values<\/em><\/p>\n\n\n\n

Defining the \u201cFinest\u201d: A Northern Song View of Tang Dynasty Literary Culture in the Wen cui<\/em><\/p>\n\n\n\n

ANNA M. SHIELDS<\/p>\n\n\n\n

<\/p>\n\n\n\n

What Was Good Writing (or Reading) in Eleventh-Century China? Rethinking Guwen<\/em> and Its Relation to Daoxue<\/em><\/p>\n\n\n\n

HSIAO-WEN CHENG<\/p>\n\n\n\n

<\/p>\n\n\n\n

A Family of Filial Exemplars: The Baos of Luzhou in the Northern Song<\/p>\n\n\n\n

CONG ELLEN ZHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Poetry<\/em><\/p>\n\n\n\n

Returning Empty-handed: Reading the Yifan<\/em> feng<\/em> Corpus as Buddhist Parting Poetry<\/p>\n\n\n\n

JASON PROTASS<\/p>\n\n\n\n

<\/p>\n\n\n\n

Poems with Contested Meanings<\/p>\n\n\n\n

RONALD EGAN<\/p>\n\n\n\n

\n\n\n\n

Volume 4 Issue 1, April 2017<\/strong><\/h4>\n\n\n\n

Regular Issue<\/strong><\/p>\n\n\n\n

Editors YUAN XINGPEI and ZONG-QI CAI<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

On Hu Shih\u2019s Coattails: Reflections on and Prognostications for Research on Chan Buddhism<\/p>\n\n\n\n

GE ZHAOGUANG<\/p>\n\n\n\n

JASON PROTASS, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Southern Osmanthus and Northern Pear: The Garden of Xiang Ziyin as a Site of Memory in the Writings of Southern Song Literati<\/p>\n\n\n\n

BENJAMIN RIDGWAY<\/p>\n\n\n\n

<\/p>\n\n\n\n

Between the Interior and the Artifactual: Reading the Ci<\/em> Space<\/p>\n\n\n\n

LEI CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Reinventing the Pre-Tang Tradition: Compiling and Publishing Pre-Tang Poetry Anthologies in Sixteenth-Century China<\/p>\n\n\n\n

JING CHEN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Lust as Prerequisite: Eroticism in The Story of the Stone<\/em><\/p>\n\n\n\n

I-HSIEN WU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Gendering the Planchette: Woman Writer Qian Xi\u2019s (1872\u20131930) Spiritual World<\/p>\n\n\n\n

YANNING WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Terms, Concepts, and Methods<\/em><\/p>\n\n\n\n

Toward an Innovative Poetics: Wang Changling on Yi <\/em>\u610f and Literary Creation<\/p>\n\n\n\n

ZONG-QI CAI<\/p>\n\n\n\n

\n\n\n\n

Volume 3 Issue 2, November 2016<\/strong><\/h4>\n\n\n\n

Special Issue The Literary Mind and the Carving of Modernities<\/em><\/strong><\/p>\n\n\n\n

Guest Editor David Der-wei Wang<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

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Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

The Literary Mind and the Carving of Modernities<\/p>\n\n\n\n

DAVID DER-WEI WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Addressing Classical Theories Anew<\/em><\/p>\n\n\n\n

The \u201cNatural Rhythm\u201d of Chinese Poetry: Physical and Linguistic Perspectives Since 1919
YU-YU CHENG
MING-TAK TED HUI & CHIEN-HSIN TSAI, translators<\/p>\n\n\n\n

<\/p>\n\n\n\n

From Modernity to Tradition: Zhu Ziqing\u2019s Chinese Literary Criticism
LEONARD KWOK KOU CHAN<\/p>\n\n\n\n

<\/p>\n\n\n\n

Chinese Literary Thought in Modern Times: Shi<\/em>, Xing<\/em>, Shishi<\/em>
DAVID DER-WEI WANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Reorienting Modern Subjectivities<\/em><\/p>\n\n\n\n

Poetry as Memoir: Shi Zhecun\u2019s Miscellaneous Poems of A Floating Life<\/em>
KANG-I SUN CHANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

A Paper Mirror: Autobiographical Moments in Modern Chinese Poetry
SHENGQING WU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Who Am I? Identity, Resistance, and Resilience in the Classical-Style Poetry of Nie Gannu
HAOSHENG YANG<\/p>\n\n\n\n

<\/p>\n\n\n\n

Lu Xun and The Politics of Archaism<\/em><\/p>\n\n\n\n

On the Critical Reception of Lu Xun\u2019s Early Classical-style Essays of the Japan Period
JON EUGENE VON KOWALLIS<\/p>\n\n\n\n

<\/p>\n\n\n\n

Lu Xun the Critical Buddhist: A Monstrous Ekay\u0101na
LEI YING<\/p>\n\n\n\n

<\/p>\n\n\n\n

Against the Grain of History<\/em><\/p>\n\n\n\n

In Search of Humanity in the Mao Era: The Contemporary Classical Poetry of Chen Yinke, Nie Gannu, and Wang Xindi
XIA ZHONGYI
BRIAN SKERRATT, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Song History in Kowloon and Loyalist Classical Poetry: Chen Botao, Sung Wong Toi, and Autumn Chants on the Terrace of the Song Emperors<\/em>
KO CHIA-CIAN
ANDY RODEKOHR, translator<\/p>\n\n\n\n

\n\n\n\n

Volume 3 Issue 1, April 2016<\/strong><\/h4>\n\n\n\n

Regular Issue<\/strong><\/p>\n\n\n\n

Editors YUAN XINGPEI and ZONG-QI CAI<\/strong> <\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

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Table of Contents<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Whose Voice is it Anyway? A Rereading of Wang Changling\u2019s \u201cAutumn in the Palace of Everlasting Faith: Five Poems\u201d<\/p>\n\n\n\n

PAULA VARSANO<\/p>\n\n\n\n

<\/p>\n\n\n\n

Apocrypha and Literary Rhetoric of the Han, Wei, and Six Dynasty Periods<\/p>\n\n\n\n

XU XINGWU; COTT DAVIS, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Facets of Chinese Culture<\/em><\/p>\n\n\n\n

The Ancient Qin <\/em>\u7434, Musical Instrument of Cultured Chinese Gentlemen<\/p>\n\n\n\n

TIAN QING; SCOTT DAVIS, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Literati and Poems About Go (weiqi <\/em>\u570d\u68cb)<\/p>\n\n\n\n

QI DONGFANG; LUKE HABBERSTAD, translator<\/p>\n\n\n\n

<\/p>\n\n\n\n

Chanting Dharanis While Dreaming of Lilacs: Buddhism and Beijing in Gong Zizhen\u2019s Poems of 1839<\/em><\/p>\n\n\n\n

STEPHEN J. RODDY<\/p>\n\n\n\n

<\/p>\n\n\n\n

Virtuous Wives and Shrews in F<\/em>eng<\/em> S<\/em>huangfei<\/em>: Empowering Female Characters through a Revision of Stereotypes<\/p>\n\n\n\n

WENJIA LIU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Text Matters<\/em><\/p>\n\n\n\n

From Stage Scripts to Closet Drama: Editions of Early Chinese Drama and the Translations of Yuan Zaju<\/em><\/p>\n\n\n\n

WILT L. IDEMA<\/p>\n\n\n\n

\n\n\n\n

Volume 2 Issue 2, November 2015<\/strong><\/h4>\n\n\n\n

Special Issue The Sound and Sense of Chinese Poetry<\/i><\/strong>, <\/em><\/strong>edited by Zong-qi Cai<\/strong><\/p>\n\n\n\n

Available via Project MUSE<\/a> and Duke University Press Journals Online<\/a>.<\/p>\n\n\n\n

Cover image (click the image below to see details)<\/p>\n\n\n\n

\"jclc.2.2_front\"<\/a><\/figure>\n\n\n\n

In Chinese poetry, the primacy of sound has long been overlooked. A demonstration of the pivotal roles of sound in various major genres is the primary goal of this special issue. By employing approaches of literary interpretation, statistical analysis, practical criticism, and theoretical inquiry, this collection of ten articles authored by American and Chinese literary scholars and linguists has explored the aural dimensions of Chinese poetry, shown that sound does not merely echo the sense in Chinese poetry, and shed new light on the interplay of sound and sense in one or more particular genres across time. The goal of this issue is to draw more scholarly attention to the primacy of sound in Chinese poetry and contribute to the broader discourse on the sound of poetry\/the poetry of sound initiated by scholars of Western poetry.<\/p>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n